Faith & Life

worry and wonder in Oklahoma, life broken & beyond || A DEEPER STORY post

sparrow at sunset  

Night stretches thin,

black,

like a stare seeing clearer than yesterday but maybe more lost than then when night felt contained by good warm day.

Not so.  Maybe not for a while.

Definitely not during those nights now and ahead lingering lonely, not able to be chased away by the brightest of memories and the strongest of smiles.  No, they will hurt and break and not belong.

The world will move on without them and they will float carried by tears that feel like waves and questions that feel like fire.

And always, why slivers in.

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Those are brothers, fathers, mothers, sisters and friends in Oklahoma, just as they were in Boston, here in Texas and in every breaking moment around the world.  Tragedy comes close, so close that it sometimes breaks through disrespectful of words like promise and safety and goodness.

. . . continuing this post at A DEEPER FAMILY

(image credit: Flicker, Big Grey Mare)

3 ways I know myself well.

 Boat Boy Sunset (Cambodia) by nabilkannan I am worthless.

Thirty six years into days given as free opportunities and I’m still tripping over clumsy steps, breaking promises faster than they have room to actually settle in place, speaking dishonest words, doing dishonorable things and managing to mess up with fervent regularity.  Left to myself, my actions and intentions cannibalize my heart into fragmented pieces consuming life selfishly, reducing me valueless in those moments to anything but my own desire.

Like a moth to flame do my actions draw to mistake.

I am weak.

One would think that after 432 months survived, strength would be an aged virtue.  There’s no virtue in these bones.  Strength invades in losing moments when unfortunate circumstance boasts victory, but I don’t really know strength any better than I know magic.  I am not strong.

Like a treeling bent in howling winds does my heart run ground low in adversity.

I am not good.

After 13,148 days deep into the life given me, I am no more good than the babe I started as.  In fact, maybe I’m worse the older I get, tangled in what I think wise and noble.  My heart breeds contempt for all holy.  It doesn’t fit naturally.  My heart is incompatible with the good illusion I project which reveals just how undermining it really is.

Like a peddler selling something his hands didn’t create nor own, I hang my life in the day hoping to convince onlookers and passerby's.

And here is mystery softly rebirthing me in moments broken and fractured by my own worthlessness, weakness and badness - love.  In each creaking day leading me to 36 years old, I am loved completely.  Never can I outrun it; no where can I go to escape its reach; nothing I can ever do to cancel it.  God’s incalculable, immeasurable, confusing love inverts the reality of what I know to be true in my heart - the worthless, weak, bad - to hold and own a new value to the measure of exact opposite.  He loves me to worthy, to strong and to good.  His love regenerates me leaving me someone new ...again.

I stand readied for all ahead by God’s love that only consumes the evil of my heart in all of its brooding and repetitive evil.  More than these 3 ways in which I know myself so well, I’m learning one, God’s love, which masters them all in my receding and allowance of that Love owning me.

Another year.  Amen.

 

[meditate::John 3.16-21]

Featured Artist :: Art House Dallas

arthousedallas2 I don't think of myself as an artist.

I should say, I don't always think of myself as an artist, but I am accepting of myself as an artist more and more these days.

I think it's because I haven't always thought of myself as a real writer.  Maybe a hobbyist at best, a pretender at worst.  Even half way through writing my first book, I'd tell others at art events, those who'd ask what I did, that I was in sales.  My response was a downplay, a deflect of attention.  After all, who wants to fail or come up short despite all effort given?  So I'd work tirelessly, part privately, on the manuscript of my first book while not admitting to being a writer - an artist.

Realizing (and admitting to) the value in my art and dream of being a writer began to surface after introduced to Art House Dallas.  Suddenly, I felt connected to plenty of other artsy folk who learned to not merely hear the echo of dreams within, but learned to esteem creative dreams within and wield creativity realized for a greater purpose.

A forged statement repeated often in the community of Art House captures its heart and meaning: "Cultivating creative community for the common good — encouraging everyone to live imaginative and meaningful lives."

I'm both thankful to be part of that community and honored to be this month's Featured Artist.  Read the Featured Artist interview below where I discuss my creative process, habits and upcoming book, "Earth & Sky."

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What is “Earth & Sky: a beautiful collision of grace and grief,” all about?  What inspired you to write it?

In a word: life.  The book is a memoir recounting the sudden, unexpected death of my wife nearly 3 years ago.  Far more than a somber story remembering a life passed in the wake of inexplicable tragedy, Earth & Sky journeys into the heart of grief, grace guiding into a new day.  The correlation of earth and sky lies in the connection between and interaction of human frailty (us - earth) with faith (God - sky).  Sinking in deep loss, God pursued me into the darkened depths of my heart wasting away in grief.

This story is not mine alone.  It belongs to my three little daughters as well.  One life that we knew together suddenly ended with no warning and left us dislodged from any sense of familiar belonging.  I was widowed and they were motherless and half-orphaned.  Both the story and journey belong to all four of us as we learned to live life anew and rediscover happiness, joy, meaning and reason. The inspiration to write Earth & Sky sprung up in desire to chronicle our path together through grief.

Writing about loss is obviously challenging.  C.S. Lewis', “A Grief Observed,” is a sometimes excruciating classic in the genre.  Were you influenced by any such works? Did you even plan to write a book at the start?

Lewis’ words echoed a strong sense of familiarity in the writing of my book.  Regarding pain, Lewis poignantly wrote, “It removes the veil; it plants the flag of truth within the fortress of a rebel soul.”  His words had a way of speaking life into my soul in the words giving witness to the dark treading through his own rebel heart.

I wrote as a means of bleeding out restless emotions swirling about my heart and head.  Initially, I captured raw emotions in poetry which gave me generous boundary lines to explore and confess darker fears, thoughts and prayers without worry of much sensible literary structure.  Many of these poems are built into the prose of the book.  The poetic spillings served as a cathartic exercise so I continued to write as I began to shape the content into story arch.

The most helpful influence in not only writing the book, but in healing and moving forward revealed itself in Kubler-Ross‘ book, “On Grief and Grieving.”  I found purpose in crafting my story after spending time in this particular book where she and David Kessler expand on her model of the 5 stages of grief.

// CONTINUE READING AT ART HOUSE DALLAS

 

love, its leaving and infinite sadness || A Deeper Story

Give sorrow words; the grief that does not speak knits up the o-er wrought heart and bids it break. - William Shakespeare, Macbeth

Maybe, William, but maybe a heart broken isn’t all bad.

I’m one of three given to my parents.  Two of us remain and one lives forever.

Today, here, he would have aged to 39.  I was 5 years old when he left this life, three years his younger.  I often speculate life uninterrupted; to be fully sandwiched between siblings, not just in thought, dream and memory but in aging days shared.  Heated arguments burning selfish, fights against each other proving strength and stubbornness, fights alongside each other ending those set to prove themselves against one of us, long days lost in the woods, dares given and challenges accepted, our younger sister’s boyfriends enduring the intimidation of both not one of us; in life together, pocketed and adorned jointly.

A sadness crawls still aging in his stead.  Hearts broken, mended and torn open again in days aging.

I know my family still grieves today in every one of its passings. And now so do my daughters in their own terrible way of losing their mother.

 

continue reading my monthly feature at A Deeper Story . . .